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Showing posts with label National Endowment Arts. Show all posts
Showing posts with label National Endowment Arts. Show all posts

Monday, December 21, 2009

NEA Awards Grants to Six Berkshire Cultural Organizations

The grants were announced by new NEA chair, Rocco Landesman.

Both the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH) have completed a new round of funding. The NEA has selected six organizations in the Berkshires, while the NEH looked, but came up empty.

As might be expected, large, well known Berkshire based organizations like Tanglewood, Jacob's Pillow and The Clark Art Institute were among those blessed, and so was the feisty Barrington Stage Company - for its Musical Theatre Lab project. It runs each summer under the watchful eye of composer William Finn (he of Spelling Bee fame).

But two smaller, literary organizations were also selected, the Orion Society based in Great Barrington, and the Tupelo Press, recently arrived in North Adams and headquartered at the Eclipse Mill. While the Berkshires have long been home to visual and performing artists, the tradition of literary lights living here is also well established, going back to Herman Melville whose home in Pittsfield was named Arrowhead and Nathaniel Hawthorne who had a small cottage in Lenox.

The NEA grants were made under the Access to Artistic Excellence program and chosen from more than 1,600 applications. Access grants "support the creation and presentation of work in the disciplines of dance, design, folk and traditional arts, literature, media arts, museums, music, musical theater, opera, presenting, theater, and visual arts."

Here is a summary of the six grants made in the Berkshires:

The workshopped Calvin Berger is typical of the Musical Theatre Lab's best work. Top left to right - Michael Perreca (Other Stages Producer), Justin Paul (Musical Director) and Stephen Terrell (Director and Choreographer); Bottom row l-r: The Cast of Calvin Berger - Aaron Tveit, Elizabeth Lundberg, David Perlman and Gillian Goldberg. Photo by Charlie Siedenburg.

Barrington Stage Company Inc.
Pittsfield, MA. 
$25,000
 CATEGORY: Access to Artistic Excellence   FIELD/DISCIPLINE: Musical Theater
. To support the Musical Theatre Lab. The program provides emerging composers, lyricists, and book writers the opportunity to develop new works of musical theater in a supportive environment with an experienced management team.

In talking to Artistic Director Julianne Boyd about the Musical Theatre Lab, she noted that quite a few musicals and performers got their start there. The 2007 musical Burnt Part Boys gets produced in New York this Spring. And in Summer 2010, Nikos Tsakalakos and Janet Allard musical Pool Boy (first workshopped by BSC last summer) will get a fully staged production.

Earlier, the musical workshop of Calvin Berger brought Aaron Tveit to the public's attention, and he "got his equity card through that show," she noted. Tveit has since gone on to become much in demand in American musical theatre, being featured in Next to Normal which went from Arena Stage to Broadway, and assuming the Leonardo DiCaprio role in the new musical Catch Me If You Can which is in preparation for Broadway.

Each summer, the Jacob's Pillow Dance Festival in Becket becomes the world's center of contemporary dance.

Jacob's Pillow Dance Festival, Inc., 
Becket, MA. 
$90,000 
CATEGORY: Access to Artistic Excellence   FIELD/DISCIPLINE: Dance
. To support residencies and performances of dance companies. The project will include a Creative Development Residency, presentation of national and international dance companies, and audience engagement and educational programs.

The BSO's Contemporary Music program takes place at Tanglewood in Lenox/Stockbridge. Ozawa Hall is the concert hall used for these concerts, and it too opens to their glorious lawn.

Boston Symphony Orchestra, Inc. (on behalf of Tanglewood Music Center)
 Boston, MA. 
$45,000
 CATEGORY: Access to Artistic Excellence.   FIELD/DISCIPLINE: Music. 
To support the Festival of Contemporary Music at the Tanglewood Music Center. The 70th anniversary festival will honor the resident composers who have led composition activities for the festival over the past seven decades.

Orion Magazine is at the junction of art, science, politics and the environment. It serves as an intellectual, spiritual and discussion center for the conservation movement.

Orion Society
, Great Barrington, MA. 
$15,000 
CATEGORY: Access to Artistic Excellence   FIELD/DISCIPLINE: Literature. 
To support feature-length pieces of literary prose in Orion magazine. A bi-monthly literary and visual arts journal devoted to exploring the relationship between people and the natural world, the magazine currently has 20,000 subscribers.

The Clark Art Institute may be battling over expansion with their NIMBY neighbors in Williamstown, but its role as the steward for the world's greatest art has never been challenged.

Sterling & Francine Clark Art Institute, 
Williamstown, MA. 
$75,000
 CATEGORY: Access to Artistic Excellence   FIELD/DISCIPLINE: Museum. 
To support the exhibition Picasso/Degas, with accompanying catalogue and education programs. The exhibition is being organized in association with the Museu Picasso in Barcelona.

Tupelo Press publishes innovative, unpredictable and visceral poetry by authors such as the young luminary Larissa Szporluk's. Her Embryos and Idiots is sly, seductive and spare.

Tupelo Press, Inc.
, North Adams, MA
. $25,000
 CATEGORY: Access to Artistic Excellence.   FIELD/DISCIPLINE: Literature
. To support the publication and promotion of new collections of poetry and international literature. Proposed authors include Gary Soto, Ellen DorĂ© Watson, Michael Chitwood, Megan Snyder-Camp, Rebecca Dunham, and Stacey Waite.

Thursday, November 19, 2009

NEA Webcast on How Art Works in the US Economy


The National Endowment for the Arts Presents
a Live Webcast of its
Cultural Workforce Forum on
Friday, November 20, 2009




Debate has raged for decades on how art and culture contributes to America's economy. Some of us, myself included, think the emphasis on the economic impact of the arts misses its real role in society, but that is an argument for another day.

In our WalMart economy, run by the bean counters, everything of importance is reduced to a commodity in the United States, and that is just the way it is. Once again we go through the exercise of being forced to consider the arts from an economic standpoint, despite the fact that the same arguments can be made by the Army, the makers of SUV's and even the chemicals that go into Twinkies.

So it comes as no surprise that the National Endowment for the Arts has scheduled a conference that is all about the arts and the economy. One can only hope that something new, something compelling might be dredged up. Failing that, perhaps the organizers can get Congress to listen. Maybe we would be better off simply hiring lobbyists. Still, one can hope for that breakthrough moment at the conference.

Though that is unlikely as no real artists will take part in the discussion.

"You can't expect the government to give money to artists. Our trillions are needed to support the bankers, GM executives, mortgage derivative scam artists and fraudulent insurance company executives."

From the NEA press announcement, we find that on Friday, November 20, 2009, the National Endowment for the Arts (NEA) will present a live webcast on www.arts.gov of a forum about America's artists and other cultural workers who are part of this country's real economy. Academics, foundation professionals, and service organization representatives will come together to discuss improving the collection and reporting of statistics about arts and cultural workers, and to develop future research agendas and approaches.

9:00 a.m.
Opening Remarks and introductions
Joan Shigekawa, NEA Senior Deputy Chairman and Sunil Iyengar, NEA Director of Research & Analysis


9:30
Panel One: What We Know About Artists and How We Know It
NEA Research on Artists in the Workforce
Tom Bradshaw, NEA Research Officer
Artist Labor Markets
Greg Wassall, associate professor, Department of Economics, Northeastern University
Artist Careers
Joan Jeffri, director, Research Center for Arts and Culture, Teachers College, Columbia University
Artist Research: Union Perspectives
David Cohen, executive director, Department for Professional Employees, AFL-CIO


11:00
Panel Two: Putting the Research to Work
Cultural Vitality: Investing in Creativity
Maria Rosario Jackson, senior research associate, The Urban Institute
Artists and the Economic Recession
Judilee Reed, executive director, Leveraging Investments in Creativity (LINC)
Teaching Artists Research Project
Nick Rabkin, Teaching Artists Research Project, National Opinion Research Center, University of Chicago
Strategic National Arts Alumni Project
Steven Tepper, associate director, the Curb Center for Art, Enterprise, and Public Policy, Vanderbilt University


1:20
Panel Three: Widening the Lens to Capture Other Cultural Workers
Artists in the Greater Cultural Economy
Ann Markusen, Hubert H. Humphrey Institute of Public Affairs, University of Minnesota
Creative Class: Who's in, Who's out?
Tom Bradshaw, NEA Research Officer
American Community Survey: An Emerging Data Set
Jennifer Day, assistant division chief, Employment Characteristics of the Housing and Household Economic Statistics Division, United States Census Bureau


2:20
Comments and questions from panel participants


3:00
Discussion: Summary and Recommendations for Future Research
Moderated by Sunil Iyengar and Tom Bradshaw
Lead discussants: Holly Sidford, president, Helicon Collaborative and Paul DiMaggio, professor, Department of Sociology, Princeton University


4:30
Adjournment


In addition to the above presenters, the following respondents will participate in the NEA Cultural Workforce Forum:

Randy Cohen, vice president of local arts advancement, Americans for the Arts

Deirdre Gaquin, consultant

Angela Han, director of research, National Assembly of State Arts Agencies

Ruby Lerner, president, Creative Capital Foundation

Judilee Reed, executive director, Leveraging Investments in Creativity (LINC)

Carrie Sandahl, associate professor, Department of Disability and Human Development, University of Illinois at Chicago

Mary Jo Waits, director, Social, Economic & Workforce Programs Division, National Governors Association

An archive of the event will be available on www.arts.gov the week following the forum.

Thursday, March 5, 2009

NEA Announces Guidelines for $50 Million in Recovery Grants

"Angels in America" - the NEA prepares to help the arts

Yesterday, the National Endowment for the Arts announced the availability of grant guidelines for The Arts and the American Recovery and Reinvestment Act of 2009.. This opportunity was created in response to passage of the American Recovery and Reinvestment Act, which includes $50 million to assist the nonprofit arts sector through funding to the National Endowment for the Arts. The new program will fund projects that focus on the preservation of jobs in the arts.

"Amidst these dire economic circumstances, the NEA and its partner organizations have been called to marshal our extensive grantmaking expertise to direct federal funds to organizations across the country to preserve jobs. We embrace this responsibility and this unprecedented opportunity. We look forward to working with our partners and our many constituents to reinvigorate the arts in our great nation."
- NEA Acting Chairman Patrice Walker Powell


The NEA will offer two categories of one-time support based on its existing distribution mechanism of 40 percent to the designated 56 state and jurisdictional arts agencies and their six authorized regional arts organizations, and 60 percent awarded through competitive direct grants. These direct grants will be available to nonprofit arts organizations including local arts agencies, statewide assemblies of local arts agencies, arts service organizations, and other arts organizations.
NEA Guidelines

Applicants must have received NEA funding in the last four years to be eligible to apply. In addition, applicants can receive these funds through only one source – from the Arts Endowment directly, or from a state arts agency, a regional arts organization, or a local arts agency eligible to regrant.
The new NEA granting program embodies the goals of the American Recovery and Reinvestment Act to be transparent, targeted, timely, and temporary.

Funded projects must address two areas, salary support and contractual fees. Projects may support full or partial salaries for one or more positions that are critical to an organization’s artistic mission and that are in jeopardy or have been eliminated as a result of the current economic climate. Projects also may support fees for previously engaged artists and/or contractual personnel to maintain or expand the period during which such persons would be engaged.

Grants will be implemented on an expedited timeline to help get funds to communities quickly so that jobs in the arts are preserved.
NEA Deadlines

For state arts agencies and regional arts organizations:

Applications due: March 13, 2009

Awards announced: April 2009

Project start date: on or after April 1, 2009.

For nonprofit arts organizations:
Applications due: April 2, 2009

Awards announced: July 2009

Project start date: on or after July 1, 2009.

To read the guidelines for these grants, use this link to the Recovery section of the NEA Web site for more information.

Learn more about the workers and organizations that make up the arts sector of the economy.
 
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