On Cellphones, Blackberries, Theatre Etiquette

Patti LuPone recently reprimanded yet another inconsiderate audience member publicly, and the discussion has raged on. But this is the best summary of the issue that I have seen.


If the President of the United States can manage to make it through a 2-hour theatre-going experience without disturbing his fellow theatregoers with his much-beloved Blackberry, then *anyone* should be able to do the same.

That said, it should have been the house management enforcing the ban. That same blue light that annoys nearby patrons should be readily visible to any relatively attentive ushers.

In the Berkshires, this is not much of a problem since people seem to be a bit more civilized, and the volunteer ushers are sitting right there, with the audience.

Waiting for Godot with Nathan Lane, John Goodman, Bill Irwin, John Glover

Be still my heart. Nathan Lane, John Goodman and Bill Irwin star in Roundabout's Waiting for Godot. Photo Joan Marcus.
For many, this is the ultimate cast for Beckett's classic Waiting for Godot. They have given this classic enigma of a play a new lease on life, one we have been awaiting since last summer's incredible Godot at the Berkshire Theatre Festival in Stockbridge, MA which featured Randy Harrison as Lucky. In the Roundabout Theatre's version, Lucky is played by John Glover, who we all know from his dual roles in Love, Valour, Compassion (Broadway and the film version) and of course, the series Smallville where he gets to play next to Tom Welling and Michal Rosenbaum.

Nathan Lane as Estragon and John Goodman as Pozzo in this stunning photo by Sara Krulwich of the New York Times.
As we always try to do, we have found a special deal on tickets for our frugal friends, so that you can see this great cast - the incredible Nathan Lane, the incomparable Bill Irwin, the sensational John Goodwin (who blew the critics away) and the always surprising John Glover.

Carrot or radish? Nathan Lane and Bill Irwin. Photo Joan Marcus.
We have also raided the Roundabout Theatre's website and press resources for some pretty stunning pictures of the production which we include here. Who can't resist seeing this classic play in which nothing happens. Twice. If you've been waiting for a great ticket deal wait no longer.

The discount ticket offer is valid through the end of this month only. The regular tickets, priced from $36.50 to $116.50 are available at $24.25 to $79.50 depending on the day of the week and the location at the Studio 54 Theatre, located at 254 W. 54th Street.

John Glover, Bill Irwin, Nathan Lane. and John Goodman in Waiting for Godot. Photo Joan Marcus.
To get this discount, you can call 212-719-1300 and use code WGTKW. Or go to the Roundabout Theatre ticket order page and enter code WGTKW. Limit 8 tickets per order, subject to availability and can not be combined with other discounts. Valid for perforamnces 4/7 to 4/29/09.

P.S. Waiting for Godot has received 5 Outer Critics Circle Award Nominations including Best Play Revival.


"Mr. Godot will not be coming today."

"Next to Normal" Arriving on Broadway - We Have Earlybird Discounts

Next to Normal. Photo: Joan Marcus
Do we have a deal on the hot new musical Next to Normal for you! More on that later, but first you need to know why you should go. This contemporary musical explores how one suburban household copes with crisis. Through drama and music, it shows the length parents will go to in order to preserve the illusion of "normalcy." Of course, under the veneer of suburban conformity often lie unpleasant truths. Without them there would be no theatre, no soap operas, only boredom.

Next to Normal is the second of two productions that have made it from Molly Smith's Arena Stage to the Big Apple this year. 33 Variations starring Jane Fonda has already opened , while Next to Normal doesn't begin previews until March 27, and the show opens officially April 15.

Arena Stage’s production of Next to Normal went through four weeks of rehearsals and three weeks of previews before opening on December 10, 2008. For Arena’s production, five new songs were written and two new actors joined the ensemble: J. Robert Spencer as Dan and Louis Hobson as Dr. Madden/Dr. Fine.
Aaron Tveit, J. Robert Spencer, Alice Ripley, Jennifer Damiano, Adam Chanler-Berat and Louis Hobson. Photo: Walter McBride/Retna Ltd.

Producer David Stone states, “Anyone who has been involved with the creation of an original musical knows that much of the work happens in the rewriting. From the day after Next to Normal opened Off-Broadway through opening night at Arena Stage, Tom Kitt, Brian Yorkey and Michael Greif were committed to improving and rewriting this show with a level of dedication and focus I have seldom seen from a creative team.”

Arts America ran a photo report on Next to Normal earlier this year during its run in Washington, D.C. The news of its transfer to Braodway has been welcomed, the show deserves wider attention. One of the changes made is that the venue has changed from the Longacre to the Booth Theatre which is smack in the middle of all the action, on 45th Street, right at the corner of Shubert Alley.
Alice Ripley. Photo: Joan Marcus
The D.C. cast is superb and continues intact, from the dynamic Alice Ripley to the heart-throb Aaron Tveit whose Berkshire appearances at Barrington Stage were notable for the crowds of admirers who greeted him after each performance of Calvin Berger in William Finn's Musical Workshop. Perhaps the time is drawing near for one of our in-depth interviews with this rapidly rising young actor, as well as the incredible Alice Ripley who continues to stir audiences to their feet.
Aaron Tveit is on the rise.
In his review of the Arena Stage production, Peter Marks of The Washington Post, wrote, "Next to Normal is a moving, blisteringly honest, and inordinately powerful new musical, sung with a wallop by a six-member cast that includes the astonishing Alice Ripley, and dexterously directed by Michael Greif. Writers Tom Kitt and Brian Yorkey have stocked the musical with beautiful songs that get to the heart of the story- and simply get to the heart."

The discount deal we found for tickets to Next to Normal is simplicity itself: regularly $110-115 tickets in the orchestra and front mezzanine are $60.00 each if you use the code NNYT0316 and is good for all performances through May 10, 2009. Performances are Tuesdays at 7:00, Wednesday through Saturdays at 8:00 and SUnday at 7:30. The Matinees are Saturday at 2:00 and Sunday at 3:00.

You can call 212-947-8844 to order (remember to use the code) or go to BroadwayOffers.com and use the same code, NNYT0316. Offer expires May 10, but may be withdrawn at any time. Telephone and internet sales are subject to the usual service fees.

Louis Hobson, Adam Chanler-Berat, Jennifer Damiano,
J. Robert Spencer, Alice Ripley and Aaron Tveit gather for the original cast recording
Photo by Bruce Glikas

The original cast album is in the works. The cast has just finished recording it for Ghostlight Records. Exact date for the release of the Original Broadway Cast recording is not yet known.
Aaron Tveit flashes his charming smile moments before singing as Gabe, son of Diana and Dan.
Photo by Bruce Glikas

Finally, here is a full ten minute preview of the show I found on YouTube. You can also find some fascinating clips of Alice Ripley and Aaron Tveit in other shows, performances and club engagements.

Dennehy, Falls and Chicago's Goodman Theatre Look Ahead

Desire Under the Elms with Carla Gugino and Brian Dennehy slated for Broadway in April. (Ephraim Cabot). Photo by Liz Lauren.
Lots of news from Chicagoland. The success of the Goodman Theatre's Desire Under the Elms has propelled them to take it to Broadway with actor Brian Dennehy driving the star vehicle. Looking ahead, the company has also announced plans for the 2009-10 season, with Dennehy returning for two more challenging roles, plus a Marx Brothers Musical, a new play by Rebecca Gilman, and the directing debut of the multi-faceted actor Philip Seymour Hoffman.

The Broadway transfer of Goodman Theatre’s critically-acclaimed production of Desire Under the Elms, directed by Robert Falls, is set to begin preview performances April 14 at the St. James Theatre on 44th Stret for a thirteen week limited engagement with the opening date scheduled for April 27. The New York production features the original Chicago cast of Brian Dennehy , Carla Gugino, Pablo Schreiber, Boris McGiver and Daniel Stewart Sherman.

Desire received an operatically scaled production and became the unabashedly sexual centerpiece of the current season. The work just closed, but has been followed by Goodman Theatre’s world-premiere production of Magnolia by Regina Taylor, directed by Anna D. Shapiro—which began previews on March 14 and runs through April 19, playing in the Goodman's Albert Theatre.

As to the 2009-10 season, artistic director Robert Falls has come up with a diverse program that has something for everyone.

During the Animal Crackers period, there were four Marx Brothers.
Foremost among the offerings is the still-popular-after-all-these-years musical, a contemporary update of Animal Crackers made famous by the Marx Brothers. "Hello, I must be going!" My Amtrak tickets from the Berkshires to the Windy City are almost confirmed. The last production I saw was at Boston's Huntington Theatre, under Peter Altman, and I have rarely enjoyed a show so much. Animal Crackers had its own pre-Hollywood tryout, playing Broadway in 1928, before being made into the 1930 film.

Animal Crackers has a book by George S. Kaufman and Morrie Ryskind, music and lyrics by Bert Kalmar and Harry Ruby, directed by Henry Wishcamper, and launches the season in the Albert Theatre (September 2009).

The Goodman Theatre's Artistic Director Robert Falls. Photo: Peter Wynn Thompson

Next, Falls and Brian Dennehy team up again for a Broadway-bound double-bill of Eugene O’Neill’s Hughie directed by Falls, and Samuel Beckett’s one-man-show Krapp’s Last Tape (January 2010) helmed by Canadian director Jennifer Tarver. You can read a fascinating tale about Beckett's Endgame which is just winding up its run at the American Repertory Theatre in Cambridge, MA in the current Berkshire Fine Arts.

In March 2010, Rebecca Gilman’s Goodman commission, A True History of the Johnstown Flood makes its world premiere production.

Finishing the season in June 2010—and launching the fifth biennial international Latino Theatre Festival—is Karen Zacharías’ The Sins of Sor Juana, directed by Henry Godinez, following one of the legendary figures of Mexican arts and literature. Still to be announced is one Spring 2010 production directed by Chuck Smith in the Albert Theatre.

Magnolia with Annette O'Toole and John Earl Jelks, written by Regina Taylor, directed by Anna D. Shapiro begins March 14, 2009 in the Goodman's Albert Theatre.
Also scheduled are three provocative world premiere productions debut in the Goodman's Owen Theatre, beginning with Joan D’Arc, a co-production with Austria’s prestigious Linz Festival; acclaimed Bosnian artist Aida Karic and Tanya Palmer put a contemporary spin on Friedrich Schiller’s great romantic tragedy The Maiden of Orleans (September 2009).

Also appearing in the Owen are High Holidays, Alan Gross’ boisterous, darkly comic look at coming of age in suburban Chicago in the early 1960s (October 2009) and Brett C. Leonard’s searing The Long Red Road, directed by Philip Seymour Hoffman in his Goodman Theatre directorial debut (February 2010).

Subscriptions are now on sale. Further information: Visit Goodman's website or call 312.443.3800.

Shrek the Musical using discounts to build their audience

It isn't easy being green.

It's a sweet, big and lovable show. They just recorded the original cast album a few days ago - it is due out in March - and Shrek should be a sure thing on Broadway as word of mouth spreads among families. So for the next few weeks, through March 15 and the end of winter, you can get steeply discounted tickets. So while Shrek saves the Princess, you will save the money.

They are offering the $110 Orchestra and Front Mezzanine tickets at $68 for Tuesday-Thursday evenings and Wednesday matinee, and $45 for Rear Mezzanine. For Weekend evenings and matinees, the discount is less, $80 for the better seats, $55 for the Rear Mezzanine. ( usually $120-65). Shrek is playing at the Broadway Theatre at 53rd Street.

One of Shrek's big production numbers.

This discount has expired.

Equus on Broadway: Pick of the Week

Daniel Radcliffe rides high in Equus. Carol Rosegg photo.

With only about five weeks left in its run, this is the time to think seriously about seeing the brilliant revival of Equus on Broadway. The play by Peter Shaffer hardly needs stars to succeed in pleasing its audiences. But its top roles have been filled by major actors such as Richard Burton playing the role now filled by the remarkable Tony-winner Richard Griffiths.

Richard Griffiths and Daniel Radcliffe on Broadway. Carol Rosegg photo.

That Daniel Radcliffe, star of the popular Harry Potter films, so captivated London and Broadway theatre-goers is no surprise. This is not a shallow teen idol filling an opportunistic role, but rather a serious actor proving his mettle. Equus wins our "Pick of the Week" because it is a great psychological inquisition into the character of a young stable boy who blinded horses, and great theatre that will keep your mind actively involved in the evolution of both the boy's pathology, and that of his equally troubled psychiatrist. As if that was not enough, even more is bared in the famous nude scene, in his relationship with his girlfriend, all while the authorities sort out his crime.

According to the UK's Daily Mail, the nude scene with actress Joanna Christie had many parents objecting that someone who plays a boy wizard in films for children should remain innocent. But Radcliffe clearly wanted to get beyond such type casting, and spent months in the gym pumping up his physique so his love scene would not disappoint.

Daniel Radcliffe and Joanna Christie in the London Production

Of course our pick of this show would not be complete without providing a key to some discounts. This one is particularly good, and there are others around. This may prove particularly useful for weekday performances since it is very deeply discounted at $49.50 for rear mezzanine and $66.50 for orchestra and front mezzanine on Tuesday to Thursday evenings. Click here for tickets. Or check one of the ticket brokers that specialize in discounted tickets. Cheapest for fees is to visit one of the TKTS booths run by the Theatre Development Fund. Finally, you can call "Special Promotions" at 212-947-8844 and mention code EQNYT28.

This riveting tale is one whose images will stick in your memory for a long time. The stylized horses, with heads wrought out of steel and whose actors carefully constructed stances and actions makes them real to the audience is a minor miracle of theatrical trickery, aided and abetted by a magnificent cast and brilliant technical support.

Hairspray closes January 4, 2009

Just a few days left to see this award winning musical with Harvey Fierstein in its full Broadway glory at the Neil Simon Theatre, 250 West 52nd Street. Lots of half price tickets around too. Check out the TKTS booth.

Broadway welcomes tourists from Ohio with free tickets

Larry says: "go see it!"


After Nancy Coyne hurled her disdain at "tourists from Cleveland" (see previous blog entry) the blockbuster show Chicago the Musical responded. They are not a show that is handled by Coyne's ad agency, so perhaps they were more sensitive to the hurt her remark engendered. They announced that "Chicago Loves Cleveland" and have offered free tickets to the musical to those from Ohio - see details below.

Because of the speed and generosity of the response, we are declaring Chicago our Show of the Week! You don't even have to be from Ohio to find a great ticket deal on it. But first a little about why this is indeed a terrific show to see.

Brenda Braxton has rejoined the cast!

It is one fast paced musical with great songs by tunesmiths John Kander and Fred Ebb, based on the original play by Maurine Dallas Watkins, co-authored and directed by the late Bob Fosse. The choreography is by Ann Reinking and John Lee Beatty did the sets.

It boasts a great cast, which includes the return of Brenda Braxton as Velma, the gorgeous Charlotte d'Amboise as Roxie, Tom Hewitt as Billy Flynn, and Lavon Fisher-Wilson as Matron "Mama" Morton. You can see and hear them in action with the widget just below:



Ticket Deals

1. Free Tickets for Ohioans.

During the month of January, you can go to the Ambassador Theatre (219 West 49th Street) box office window on a Tuesday, Wednesday or Thursday, show a government issued photo ID proving you live in Ohio, and you will get in free that night. Of course, there are a limited number of seats, but how can you beat such a deal.

2. Listen to Cleveland Radio.

Nancy Coyne who started this brouhaha represents 24 Broadway shows, will reportedly be giving away tickets in January and February on Cleveland Radio. I am searching for more details.

3. For Everyone Else, including New Yorkers.

Chicago is running a promotion in which you receive one free ticket with every three you purchase. In addition you will receive a free CD of the show. The promotion code to use is CHDR08. This is limited to sales from now until December 31, 2008 but is valid on most performances through March 20, 2009. Some blackout dates apply. You can take advantage of this at the Ambassador box office (no service charges) or by calling or visiting Telecharge at 212-239-6200 (service charges apply.)

Nancy Coyne to Broadway tourists: "We hate you"

Advertising big shot Nancy Coyne hates tourists from Cleveland.

Oh my. I guess we all put our foot in our mouth once in a while, but Nancy Coyne - as in Serino Coyne Advertising - is going to have to live with her gaffe for some time to come. Her agency is Broadway's biggest, and generally spends 10% of any show's receipts on the ads that promote it. For most Broadway shows, that means $100,000 a week. Not exactly chump change.

So here is what happened. Coyne is a well liked personality in the Broadway community, and often asked, "How's business?" That's exactly what the New York Times did a few days ago, and here is what she replied:

“The last 15 years have been boom years for theater — I always expected the pendulum to swing, and I simply see this as a correction,” said Nancy Coyne, chairwoman of the theater advertising agency Serino Coyne. “The good news is that so many straight plays are now coming in the spring, and I think New Yorkers will come out for them once the tourists go away. We’re horrible snobs. We hate tourists from Cleveland.”

Of course, we think people from Ohio are a whole lot nicer and friendlier than most. In fact, most are a living Chamber of Commerce for the Buckeye state. And don't try to portray the state as a backwater. Just ask any theater that is part of the Cleveland Theater Collective what's going on in the state. There's plenty to choose from.

You know, Nancy, they don't have to go to New York to see great theatre. Just be glad they do!

Updated NYC Ticket News - Discounts for Broadway, Radio City and Disney

Even the Spectacular Radio City Christmas Show is discounting!

The big, expensive New York City shows have all taken a hit with the downturn in the economy, and it is almost as if Broadway is having a clearance sale.

Certainly a number of blockbuster shows - like Hairspray, Gypsy, Grease and Young Frankenstein - have gone discount crazy. Disney too has reacted to the economic times with wisdom and what amounts to a huge price cut for its tickets to their three Broadway shows. Scroll down to check out our story on discounted Broadway tickets in New York, and across the USA which we compiled last weekend.

The Fabulous Disney Promotion

Disney has a "Kids Go Free" promotion which yields one free ticket for a child with each adult ticket you buy. First announced several weeks ago - see our earlier blog entries - it has just been extended for the second time, and this promotion is effective on until the day before Christmas for performances that take place early in 2009. It applies to “The Lion King,” “Mary Poppins” and “The Little Mermaid.”

Now there are a couple of important details. First, the window for buying the tickets is very short. During that period, ticket buyers can receive one free child’s admission (18 and under) with each purchase of a full-priced but this is just for performances between January 6 and March 13. Some dates blocked out, including what is school vacation week. To get these tickets, just go to this special Disney website which has been set up for this promotion.

Last week there were plenty of half price tickets for Mary Poppins and The Little Mermaid at ticket agents and TKTS.

Radio City Music Hall Christmas Spectacular has a 40% Off promotion!

The annual outing of the RCMH holiday show is a wonderful and nostalgic treat for adults and children, and there are significant discounts available - as much as 40% - for the remaining shows through the end of December. All you need is the discount code which is DECNYT. You can call the Ticketmaster Christmas Hotline at 212-307-1000 and get a discount using this code. If you prefer to do this on line use this link.

Discounted Theatre Tickets Plentiful From Broadway to the Boonies

Sometimes you just have to get in line, but more discounts are being offered on the internet.

It's happening all across America, tickets for theatre, music and dance are being discounted more heavily than ever before. If you are in the hinterlands, you may be able to find deals as well. Our survey indicates a growing number of half price and discounted ticket operations springing up everywhere.

If you want to get away, travel to the big cities is being discounted as well, Amtrak just finished its holiday promotion, and Greyhound has just began theirs. The airlines are beginning deep discounting again what with a recession and oil prices dropping like a rock.

The biggest destination of all is New York City, but further down in this blog you will find details on Atlanta, Austin, Boston, the Berkshires, Chicago, Houston, Las Vegas, Los angeles, New Orleans, Philadelphia, Pittsburgh, San Diego, San Francisco and Washington, DC. If we have missed one, let us know through the comments sections.

Half Price Tickets in New York City

TKTS during its recent construction in Manhattan

I have written before about TKTS, run by the Theatre Development Fund, but I have only mentioned their Times Square location. There are two others as well - in South Street Seaport on the lower East Side and in Downtown Brooklyn in the MetroTech Center. 

The TKTS ticket booths offer same-day discount tickets to Broadway shows, Off-Broadway, and other arts events at up to 50% off their original prices. There is no way of finding out which shows are featured day to day, or even minute to minute, since additional tickets often arrive as show time approaches. The theatres are mostly close by, so if the box office manager thinks the show will be left with unsold seats, TKTS may be called and a messenger dispatched to pick them up.

If ticket lines and seating roulette is not your idea of fun, there is a wonderful site you can visit that enables you to buy show tickets ahead of time, and at deep, deep discounts. You can even choose the seats, though it is always from whatever inventory remains at the time you buy.

This arrangement works best for those who make frequent trips to New York and don't mind paying a membership fee. New York Tix

My personal choices are August: Osage County from the incredible Steppenwolf company - a resident Chicago company, and Slava's Snowshow, a holiday pick. Among the musicals, there is Young Frankenstein, Hairspray and Gypsy. Timing is important since many of these shows will close shortly after Christmas.

Here's some great news for parents! The Disney "Kids Free" promotion which I detailed in an earlier Arts America blog entry has just been extended until December 23. I will work up a new blog entry on that tomorrow.

The basic rule of thumb for buying tickets to live performances is that the earlier you act, the better your seats. On the other hand, if you wait, you can often get the remaining seats at bargain prices.

Here too are some links to shows doing various other promotions.

The Blue Man Group - Use code NYTTW and call 1-800-blueman or go to this page.

Gypsy with Patti LuPone until January 18 - half price which means only $59.50 orchestra and $27 balcony - Use code GYNYT54 at 212-947-8844 or go to this site.

And if you are 40 or under, you can get tickets for events at Carnegie Hall for $20 with a "57 and 7" Membership. Details are here.

Even the super expensive Metropolitan Opera has instituted a $25 Weekend Ticket program which is more like a lottery than a sale, but worth the effort. You could end up with $250 seats at that bargain price. The incredible Met Lottery Deal Each week's entries begin on Mondays at 10:00 am ET.

Never, ever, trust scalpers!

Now on to the other cities.

"Go Free" Disney ticket promotion a big hit

A little promotional ticket pricing helps the high Broadway prices go down easier.

Disney's "Kids Go Free" promotion is working like a charm. With more than a million dollars worth of tickets sold in the first three days, and little more than a week to run, it appears that for every ticket given away to a child, one was sold to an adult. In these recessionary times, Disney proves it knows its marketing.

The tickets went on sale on December 1 and the promotion continues through December 12 for performances of Mary Poppins, The Lion King and The Little Mermaid. The tickets are for performances between January 6 and March 13. There are a limited number of tickets allocated to this promotion, and include most weekday and weekend performances. There are a few dates blacked out.

There are other ways to get discounted Disney tickets, though not as well known, but you will have to sacrifice a little of your time in order to access them. But that is the deal - if you are in a hurry, you pay full price.

The Lion King is not just for children.

Other discount strategies

The Broadway ticket brokers and ticket agents have not been immune to the recession, and often end up having bought more seats than they can resell at full price. So a great new strategy is to email or call these brokers and let them know when you want to go and ask if they have any deals.

Sometimes you will get an offer right then (a bird in the hand and all that) and you should be prepared to make a pretty fast decision. Though many will pressure you to act instantly, it is reasonable to tell them that you have to check with the others first. Even with a short grace period, calling them back as soon as you can is a good idea since their ticket inventory is limited and usually the first person with the money takes them regardless of promises made.

Alternately, if you email you can ask them to email you any late breaking deals for the dates you are interested in. Some will, some won't. Since tickets are in a constant state of flux, it is not possible to predict.

Armed with a seating chart and open dates, you can also be a well informed consumer when you do this. My number one rule of thumb is to always ask early on if the prices quoted include all service charges. Then, if some place down the road a surprise fee is added to the conversation, think twice about dealing with that broker.

The Times Square Info Center between 47 and 48 Streets

Should this strategy fail, and I arrive in midtown Manhattan without tickets in hand, I do check for what are called "twofers" at the tourist information operations. These are ticket sized coupons that often offer large discounts direct from the box office. The one pictured is on Broadway near Times Square and easy to find.

My final option is to stand in line at theTKTS booth in Duffy Square where tickets are always sold at 25 to 50% off. I will be writing more about them in the near future, so you might want to subscribe to this blog to keep up with cheap ticket strategies and offers.

The new Half Price TKTS Booth

Buying from the box office, whether at full price or a discount can be a smart strategy too since you do not pay the Ticketmaster surcharges which often add insult to injury. I would rather give those service charges to the independent brokers who got me a real deal.

So now the question is, which Disney show. Here are some capsule descriptions of the three currently running:

The Lion King

The Lion King is at the Minskoff Theatre

I simply adore this show. Disney’s beloved film comes to eye-popping life with Julie Taymor's amazing staging. Winner of six 1998 Tony Awards, including Best Musical, The Lion King pulses with an award-winning score and innovative choreography, costumes and masks which bring the classic story of the young royal heir Simba and the animals of the African Pride Lands to vivid life.

Lion King Seating Chart

Even with a top price of $110 on weekends, the Lion King is the most difficult Disney show to find discounted tickets for. This one show brings Disney almost a million dollars a week in ticket sales. No mere high school musical can compete with the large cast and orchestra which have made this the longest running Disney show.

The Little Mermaid

The Little Mermaid at the Lunt Fontanne Theatre

An underwater advanture with Ariel the mermaid in this splashy Disney musical. In a magical kingdom beneath the sea, a beautiful young mermaid named Ariel longs to leave her ocean home to live in the world above. With award-winning music by Alan Menken and Howard Ashman, The Little Mermaid is a musical favorite for audiences of all ages.

Little Mermaid Seating Chart

There is a fairly steady supply of discount tickets for The Little Mermaid.

Mary Poppins

Mary Poppins at the gorgeous New Amsterdam Theatre

The young ones will experience a supercalifragilisticexpialidocious time with everyone's favorite nanny. Based on P.L. Travers' stories and the classic Disney film, Mary Poppins brings to life the story of the Banks family and their magical nanny. Featuring the movie's Oscar-winning songs, this enchanting musical lets you rediscover the power of family and the joyful memories of childhood.

Mary Poppins Seating Chart

Of the three Disney shows, Mary Poppins is the easiest one to find offered at discounted prices.

Disney offers free Broadway tickets for children

Mary Poppins on Broadway

It's actually kind of amazing. But Disney has reacted to the economic times with wisdom and what amounts to a huge price cut for its tickets to their three Broadway shows.

Not exactly free, but the next best thing because with each adult ticket you can get one free children’s ticket. It is a limited time offer, and applies to three of its most popular Broadway musicals: “The Lion King,” “Mary Poppins” and “The Little Mermaid.”

The Lion King on Broadway

Now there are a couple of important details. First, the window for buying the tickets is very short. The tickets will go on sale on Monday, December 1 through Dec. 12. During that period, ticket buyers can receive one free child’s admission (18 and under) with each purchase of a full-priced ticket.

The other caveat is that this is just for shows between January 6 and March 13, the slowest months of the Broadway season due to the unpredictability of the weather. There are some dates blocked out, including what is school vacation for some.

The Little Mermaid on Braodway

But should you be able to work around the limitations, you can get one heck of a deal, mom and dad. To claim your tickets, and to find out more about these shows, you just need to visit this special Disney website which has been set up for this promotion.

Broadway's Greed Closes Young Frankenstein

The producers picked a big house and even bigger prices.

I have watched ticket prices for Broadway shows creep up from $1.10 and $2.20 in the late 1950's (for second balcony seats, orchestra was $4.40) to the day a decade ago when they hit $100 for some musicals. I was delighted to hear about Young Frankestein being made into a musical, but when the producers announced top ticket prices of $375 and $400 I knew I would not be going to see that show. Who did they think they were, Cirque du Soleil? The Rolling Stones? The Second Coming of Christ?

I considered the prices they were charging to be confiscatory, and while I understood their desire to reap the unconscionable profits the ticket scalper usually made, they also showed a shameful greed since all the orchestra seats were out of reach, and even the "dress circle" (translation: first balcony) seats were $120.

As if this piggy pricing was not enough, there was also their hubris regarding group sales. They figured they had a show that would reap plenty, so they limited group sales to 50 at a pop on the weekends, and the ticket allocations were very stingy. But they also killed the goose that lays golden eggs for Broadway, and often supports so-so shows just long enough to build the word of mouth.

Cause of death? Miscalculating public reaction to $400 tickets.

Not only did I pass, but they also went on my silent list of productions to avoid, even if they were half price, still a King's ransom for most of us. In the end, all theatre-goers vote with their wallets.

Recently Bob Sillerman, Mel Brook's producing partner publicly repented these pricing strategies. But it is too late, it has spread to other shows as well.

Nevertheless, when this Broadway monster announced it is closing January 4, after 30 previews and 484 performances, I felt a bit of poetic justice had been served.

A spectacular show, but grossly overpriced.

Now I know how difficult it is to raise money for Broadway shows, and how important recoupment is. Young Frankenstein has supposedly recouped its investment. But the audiences, at least those who are residents of the city and surrounding areas are not exactly having an easy time of it these days. Ignoring the impact these pricing decisions have on traditional audiences is important, for by making prices not just high, but unreasonable to boot, is killing Broadway.

More Casualties to Come

Closing dates have been announced with glum regularity lately: Older shows, such as "Hairspray, "Monty Python's Spamalot" and "Spring Awakening" are finishing their runs. New shows, such as "13" have already departed, as well as the critically maligned and artistically mangled "American Buffalo." David Mamet, what were you thinking with that cast of second-tier TV and movie stars. I could understand John Leguizamo, he can act, but Cedric the Entertainer? Haley Joel Osment?

Still, some shows thrive

And yet, the news isn't all grim. Limited-engagement fall revivals of "Speed-the-Plow,""The Seagull,""All My Sons" and possibly "Equus" are at or near recoupment of their $2 million-plus production costs. And "Billy Elliot" has turned into the first big musical smash of 2008, getting great notices and doing hefty business.

Best of all, three of them are plays, not musicals. Imagine that. Times are changing.